Rohl Dahl
...city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover (and published critic) of American jazz, Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull, where he died in 1985. In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's ...