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Shonagon zones in on life’s little dilemmas or happenings and views them from her own perspective. For instance, she describes sitting down with the empress and being bewildered by such a wonderful sight. She states, “…I did not understand how a being like this could possibly exist in our world.” In another instance, she reflects on how people must keep their eyes on the preacher if they are to, “understand his worthy sentiments.” Therefore, Shonagon concludes, an ugly preacher is a sinful source. Shonagon touches on many different aspects of life as she sees them, and elaborates greatly with stunning detail. It is a joy to read! Furthermore, Shonagan shares with the reader her personal thoughts and feelings. In fact, she is quite direct about it. For instance, she shares a dream of hers about living in an attractive house with her family and a friend. She delights in the possibility of sharing poetry and other interests with this friend of hers. Evidently, Shonagan is not shy about exposing her inner-character. But Lady Murasaki in The Tale of Genji utilizes a similar writing aspect to that of The Pillow Book, in that she, too, puts an introspective spin on the words. That is, her voice can clearly be heard throughout the story. This voice alerts the reader to new and more personal aspects of the individual characters and their roles in this tale. For instance, the narrator (Lady Murasaki) comments on Genji’s fabulous relationship with a woman named Hanachirusato: He knew that no other man was likely to have been as good to her, and in the knowledge was one of his private pleasures. What misfortunes might she not have brought upon herself had she been a less constant sort!
Approximate Word count = 1158
Approximate Pages = 4.6
(250 words per page double spaced)
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