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... Indeed, most European films are labelled as ART films in America and only reach a limited audience in the larger metropolitan areas.
This is not the only difference between Europe and America from the aspect of moviemaking, not at all. Even in Europe, Hollywood dominates the cinema scene. On average, 80% of all films shown in cinemas across Europe are products of the Hollywood factory system. Even in countries like France, with large film industries, American films continue to dominate. Why is that so and what is the difference between European and American cinema and movie making? ... If it had remained in America, film would have developed in a completely different direction. ... The evolution of the new art form now had a place in Europe. ... The energy and enthusiasm inherent in the growing America of that time is directly responsible for the development of entertaining cinema. America set out to bring this new invention to the people. Once Edison revised his invention and made it possible to show the films to an audience, several entrepreneurs jumped on the opportunity. ... Pure entertainment
In Europe, it was the artistic circles who influenced the development of the art form. Audiences flocked to see the new technology and to be entertained (In Paris, cafés were converted into the first cinemas, complete with audiences), but the responsibility to centuries of history had to be served
In America, given the whole fantastic atmosphere present at the turn of the century, things had to be sensational. ...
Throughout the century, Europe has come to regard cinema as an art form, even to this day. If you surf the Internet in Europe, film is usually listed under Art & Culture. In America, it is listed under entertainment.
Most of the important movements in cinema as art have come out of Europe. ...
It is common knowledge to say that Hollywood/American cinema was built upon the idea of commercially successful feature films. ... Film as a form is seen as a commercial medium, this does not deny that in America there is no use of the form as purely art. ... There are very many reasons for that: the absence of a true industrial structure, the lack of accessible films that appeal to a wide audience (the lack of mainstream films), and the lack of a star system. ... On the distribution level, Europe is faced with the dominance of US distributors in European networks and the problematic distribution of European films.
Approximate Word count = 2041
Approximate Pages = 8.2
(250 words per page double spaced)
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