world war one social commentary
World War One Social Commentary War is both a time of triumph and devastation. ... War separates the men from the boys and that is why so many teenagers sought to fight for their country. ... Many British poets helped expose the grim realities of war and did not always receive positive feedback. The experiences and writings of British poets such as Rosenberg, Owen, and Sassoon, brought forth both negative and positive criticism and ultimately helped shape early 20th century views on war. ... It was not until the assassination of Archduke Franz Ferdinand, the heir Austro-Hungarian throne, did the war begin. ... The Assassination of Archduke Franz Ferdinand is what triggered the war. It was used to justify the war, when in reality, the war seemed almost inevitable. As the war progressed, alliances started to form. ... Predicting the outcome of the war is quite simple after looking at which countries fought on which side and comparing the amount of countries on each side. Also after a series of fatal moves made by the Central Powers, the war was nearing to the end. Throughout the course of the war, there were thirty seven million casualties sustained. ... Many of those men that went into the war thought they would come out alive and safe. ... Their attitude towards the war had dramatically changed. Their optimistic and proud attitude on sending their sons into the war turned to be regretful and extremely negative. Siegfried Sassoon, Wilfred Owen, and Isaac Rosenberg were British poets who were against the war. They felt that the war could have been avoided and there were many unnecessary lives taken in the duration of the war (Spender 3). These men also had first hand experiences serving in the war and were surrounded by young men dying every single day. ... He went on to work in a hospital where he saw what war did to people and was overcome with the bloody images of the dying people Eventually, Owen was drafted into the war unwillingly and wrote remarkable poetry filled with gory descriptions and brute realities (Black 1-2). Owen “managed to shock and horrify us with the nightmare of war, while creating a passionate, sensual undercurrent to awaken the senses”(Black 1). ... He used extremely vivid images and told about the horrifying details of war and at the same time it made people think of the war differently and made people think twice about sending their sons into the war. ... ” In the poem he tries to say that men die so frequently in the war and as clearly put in the line “No mockeries now for them; no prayers nor bells” he is trying to say that bells are not appropriate to commemorate their deaths.