Analysis of Agamemnon
Analysis of Agamemnon’s Agamemnon King of Argos, Agamemnon is not seen until the middle of Agamemnon, the first part of Aeschylus’s The Orseteia tetralogy. ... Agamemnon only appears briefly onstage before being led unaware to his death. Although Agamemnon’s appearance is brief, it is vital to every action that happens afterward in The Orseteia. In each of Agamemnon’s lines there is a fatal tone. ... (Lines 895-898)” Agamemnon states his vulnerability and foreshadows what is coming to him: something every mortal experiences, death. The chorus portrays Agamemnon as virtuous and honorable. ... This is a 1 different Agamemnon; he is arrogant and disrespectful. ... When Agamemnon converses with his wife, he does so with disrespect. Agamemnon becomes the antagonist of the tragedy by continually clashing with his wife and forcing the action to rise. ... This is a key moment because originally Agamemnon does not want to be hailed as a god, he believes that walking on the robes is godlike treatment, but he is quickly swayed, “Since you must have it — here, let someone with all speed take off these sandals, slaves for my feet to tread upon. ... This is the last and final action committed by Agamemnon that leads to the climax.