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... In the turn-of-the-century, Adolf Loos became a deeply concerned critic of the Arts Nouveau movement- paying particular attention to decorative ornamentation. Loos viewed ornamentation as unnecessary, a waste of space, and a sign of moral weakness (Borsi 141). Instead, Loos was fascinated by practicality. This is reflected in the homes designed by Loos, which are based on the simplest of principles. Straight lines, clear planar walls and windows, clean curves, top craftsmanship, and attention to interior characterize his style (Film: Adolf Loos). Loos is also known for his split-level house designs, the volumetric connection between spaces, and the belief that as much furniture as possible should be built-in (Colomina 234). Quality material and workmanship were, for Loos, the ultimate expression of great architecture.
Loos’ sensitivity to materials is reflected in the design of the Haus Dr. ... However, Loos strived forward with determination and agreed to soften the austerity of his style. ... The slick and clean wood beams openly support the ceiling of the first floor while the lower half of the windows open up to bring in the garden of ivy covering the exterior of the house (Film: Adolf Loos). ... In contrast, the sitting room, decorated in English country style, carries a more relaxed feeling (Film: Adolf Loos). ... Loos’ dark wood-clad walls of reception spaces and white modeled surfaces of bedrooms are indicative of Loos’ notion of ‘private’ and ‘public’ interiors (Schezen 80).
Another masterpiece of Adolf Loos is the Moller House.
Approximate Word count = 1201
Approximate Pages = 4.8
(250 words per page double spaced)
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